Audio Engineering for Film 1
Technical Basics | Location Sound | Dialogue Editing
Chapters
- Topic Film Audio Engineering – Opening Remarks and Introduction
- Introduction
- A Short History of Film Sound
- Different Layers in Film Sound
- Tasks and Functions of Film Sound and Sound Design
- Tasks and Functions of Film Sound and Sound Design
- The Three Pillars of Teamwork: Coordination, Cooperation, Communication
- Production Workflow
- Technical Basics
- Intro to Surround
- Film Sound Formats
- A Look "Next Door": Image Formats
- Technical Evolution of Film Sound: From 2D to 3D
- Timecode
- Test Yourself!
- Location Sound and Field Recording
- What Constitutes a Good Location Sound Recording? - Criteria
- What Do You Need for Good Location Sound and Field Recordings?
- Successful Location Sound Recordings - Microphoning and Booming Techniques
- Filming Procedure for a Take
- Order is Half the Battle: Organising Your Location Sound Recordings
- It's All About Communication: Tips for the Set
- The "Golden Rules" of Location Sound And Field Recording
- Dialogue Editing - Tasks and Goals
- From Picture Compositing to Sound Post-Production - About Picture Lock, AAFs and Everything Else You Need
- First Steps
- Dialogue Editing in Detail
- Advanced Editing Tricks
- Special Aspects of Editing Dialogue for Documentaries
- Preparing to Mix
- Postsynchronisation of the Location Sound / ADR
- Reasons for and Goals of ADR
- Preparing the ADR Recording
- The ADR Recording Procedure
- Tips for ADR Recording
- Theoretical Exam
