3D Audio 2

Chapters

• 3D Audio Production in Practice
• Energy Balance in a Dolby Atmos Music Mix
• Use the Extra Space in an Atmos Mix As an Advantage
• Panning in Detail
• 3D Panner in Detail
• Automation of Panorama & Dolby Atmos Music Panner
• Emotional/Dramatic Effect of Movement
• 3D audio with minimal equipment
• 3D-Production on headphones
• Micro-Budget Atmos Studio
• Concepts and Workflows in Atmos Mixes
• Mono and Stereo in 3D-Productions
• Production Order: Stereo or Atmos First?
• Stereo and Atmos in One Session?
• Ideas to Create Spaciousness
• 3D-Send Effects without 3D-Plugin
• Bed vs. Object
• Object Beds
• Handling the LFE
• Upmix
• Bus-Processing in Atmos
• Binaural Metadata Template
• Taboos in 3D Production
• Big Mono / Balls to the Walls
• Too much "Size"?
• Don’t Underestimate the Relevance of Binaural Metadata
• Clinic – Immersive Music Production in Dolby Atmos – Example Production "Take Me Out"
• "Take Me Out" – Recording Setup
• "Take Me Out" – Editing and Processing
• "Take Me Out" - Mixing
• Bed vs. Objects
• Positionierung
• Rooms
• Ideas for Effects
• "Take Me Out" - Mastering
• Loudness and True Peak
• Binaural Metadata
• Creating the Dolby Atmos ADM
• Take Me Out - Binaural Rerender
• Theoretical Exam – 3D Audio 2
• Conclusion Module 2